Eightface

by Dave Kellam

Heart equation

Mathematicians may be cold and lifeless, but definitely not heartless — there’s proof.

Heart Equation: x^2+(y-(x^2)^(1/3))^2 = 1

January 30, 2011 ·

Knowing sushi

If You Knew Sushi examines the world’s biggest seafood market, where a bluefin tuna can fetch the price of a small home. Japanese fish buyers have a finely honed craft.

“I tell you, Nicky, these Japanese guys, they take a little, thin slice from the tail, hold it to the light, look at it for a minute, then make an offer. God knows what they see.”

What the Japanese buying agent determines by his quick and practiced analysis of that sliver of tail is an indication of the tuna’s inner color, its oil content, and the presence, if any, of parasitic disease. A smooth-grained and marbled tail is a prime indication of quality. The richness of the tuna’s lipid content, its fat, can be gauged by how slippery the slice of tail feels between the fingers. Pockmarks reveal parasites. It’s a complex diagnostic method that is mastered only with years of practice. The overall form and color of the tuna are also quickly assessed at the same time. The ideal of these qualities, inner and outer—the word for this ideal is kata—is also a bit of a mystery to outsiders.

January 28, 2011 ·

Bottom up draft beer

GrinOn has developed a method for dispensing beer from the bottom, allowing the cup to be filled nine times faster. The post includes a video of them pouring fifty-six beers in sixty seconds.

The key is the use of a cup that features a hole at the bottom and small, circular magnet that rests over it. When placed on the system, the magnet is lifted up by the pressure-driven beer. The cup fills up until the weight of the liquid pushes the magnet back down over the hole. The cup can then be lifted off and the beer consumed as normal.

January 25, 2011 ·

MoMA adds typefaces to collection

The MoMA has added new typefaces to its permanent collection, including: OCR-A, FF Meta, FF DIN, Verdana and Gotham.

This first selection of 23 typefaces represent a new branch in our collection tree. They are all digital or designed with a foresight of the scope of the digital revolution, and they all significantly respond to the technological advancements occurring in the second half of the twentieth century. Each is a milestone in the history of typography.

The site lists all of the typefaces and the reasoning behind the selections.

January 24, 2011 ·