The University of Iowa’s Special Collections posted some photos from their copy of Alice’s Adventures in Wonderland, illustrated by Salvador Dali. I had no idea this existed, definitely going to need to see a copy of it at some point. You can see the illustrations on Retronaut, but there’s something to be said for seeing them in the original context.
I started using Sass and Compass last summer. It has probably been the biggest thing to happen to my web development style since the transition from table-based to pure CSS layout. Just bought the book this week and am super stoked to read it.
As the Internet Archive has digitized collections and placed them on our computer disks, we have found that the digital versions have more and more in common with physical versions. The computer hard disks, while holding digital data, are still physical objects. As such we archive them as they retire after their 3-5 year lifetime. Similarly, we also archive microfilm, which was a previous generationâ€™s access format. So hard drives are just another physical format that stores information. This connection showed us that physical archiving is still an important function in a digital era.
Recognizing that a book is just another device is important. It’s way too easy to make all sorts of cute analogies and comparisons between books and the digital world, so I’ll avoid it. How our society consumes words and images is bound to shift, but the book will still be here in fifty years.
Chris Covell posted images and translations of Stars of Famicom Games, a children’s book showing how Nintendo games were made, from start to finish. The book focused on the making of Super Mario Bros. 3, and includes shots of Miyamoto, developers and artists. He also posted scans from a book about Dragon Quest VI.
Imagine being on the losing side of the battles in The Lord of the Rings — Russian author, Kirill Yeskov did just that, and produced The Last Ringbearer. From an article about the book:
In Yeskov’s retelling, the wizard Gandalf is a war-monger intent on crushing the scientific and technological initiative of Mordor and its southern allies because science “destroys the harmony of the world and dries up the souls of men!” He’s in cahoots with the elves, who aim to become “masters of the world,” and turn Middle-earth into a “bad copy” of their magical homeland across the sea. Barad-dur, also known as the Dark Tower and Sauron’s citadel, is, by contrast, described as “that amazing city of alchemists and poets, mechanics and astronomers, philosophers and physicians, the heart of the only civilization in Middle-earth to bet on rational knowledge and bravely pitch its barely adolescent technology against ancient magic.”
An English translation by Yisroel Markov is available for download, although just in PDF at the moment.
Dallas Clayton created An Awesome Book! for his son. The story is about dreaming big and never giving up. The book is self-published and is currently in its twentieth printing. Dallas started a foundation to give away a copy of his book for every copy that he sold. It’s not limited to schools and stores, he’ll walk up to random parents and give them a copy. You can read the book in its entirety and then buy a copy.
A two minute time-lapse video of a book cover being designed. Lauren Panepinto, the creative director of Orbit Books, lets you see the process behind creating the cover for Blameless by Gail Carriger. You can read Laura’s blog post about the video to glean a few more details about the process.
Over 6 hours of my onscreen compositing, retouching, color correction, type obsessing, all condensed down to a slim sexy one minute 55 seconds of cover design. Trust me, no one wants to watch it in real-time.
Lastly, design:related has a few more details about the cover, including one of the early comps from the series.
Jane Austen’s Fiction Manuscripts is a joint project from the University of Oxford, King’s College and the British Library, that seeks to create a digital resource from all of the author’s surviving manuscripts.
Jane Austenâ€™s fiction manuscripts are the first significant body of holograph evidence surviving for any British novelist. They represent every stage of her writing career and a variety of physical states: working drafts, fair copies, and handwritten publications for private circulation.
Great care has been taken to provide a digital record of the original materials, as well as an accurate transcription which can be viewed simultaneously.
Austenâ€™s handwriting and punctuation are agreed to be of great importance in the understanding of her work but have hitherto been little studied. The mark up scheme has recorded orthographic variants and punctuation symbols in minute detail for subsequent computational interrogation.
The flash interface is somewhat awkward to use, but the “diplomatic display” is quite impressive.